dc.contributor.author | Erkoçi, Ilda | |
dc.date.accessioned | 2017-03-04T10:20:51Z | |
dc.date.available | 2017-03-04T10:20:51Z | |
dc.date.issued | 2016 | |
dc.identifier.isbn | 978-9951-494-62-5 | |
dc.identifier.uri | https://dspace.aab-edu.net/handle/123456789/299 | |
dc.description.abstract | The concept of otherness has become a cliché in the literature of post-colonial studies. But who falls into this category and how is it represented by two seemingly far-away writers like Shakespeare and Rushdie? The aim of this paper is to provide an introduction to the multifaceted aspects of the concept as represented by the two above-mentioned writers and their respective works The Merchant of Venice and Othello on the one hand and The Satanic Verses on the other with a main focus on the foreigner/immigrant. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Kolegji AAB | en_US |
dc.subject | otherness | en_US |
dc.subject | identity | en_US |
dc.subject | fragmentation | en_US |
dc.subject | hybridity | en_US |
dc.subject | cultural translation | en_US |
dc.title | Others, old and new: Revisiting otherness in Shakespeare and Rushdie | en_US |
dc.type | Article | en_US |